
Jacob Wolff
BalTikTak III, 2020
Spray paint transfer on panel
55 1/8 x 48 in
140 x 122 cm
140 x 122 cm
Signed
JWO 0018
Copyright: The Artist
Photo: Photo: Jacob Wolff
Exhibitions
A Rainbow's Edge (2022), at TIN MAN ART, London, United Kingdom
Notes by the artist: In 2019 I was invited to Rome to see a huge mural by Giacomo Balla that had just been rediscovered. He had painted it in 1921...
Notes by the artist:
In 2019 I was invited to Rome to see a huge mural by Giacomo Balla that had just been rediscovered. He had painted it in 1921 for a Futurist nightclub called the ‘Bal Tik Tak’on the Via Milano. The site was being turned into a museum and the mural had been found under the old wallpaper. It covered the walls and ceiling of the entrance and staircase.
A visitor to the club said ‘the walls themselves seem to dance; large architectural lines intertwine in unflinching shades of light and deep blue, which are unrelentingly bright, like a carnival in the sky.’ At the opening, Balla wore a tie made of celluloid plastic illuminated by a light bulb. The jazz orchestra created a sensation when it introduced the saxophone to Roman nightlife.
It was exciting to see the mural while the conservators were still working on it - in that state it seemed very old and new at the same time. It had the texture of a Roman fresco but the colours glowed.
Back in my studio at the British School at Rome, I borrowed the yellow, brown, red, blue, black colour scheme for my own series of paintings. Until recently I had only been painting on glass, but it encouraged me to develop a new technique using wax paper that allowed me to transfer the skin of paint directly onto the wall or panels. The transfer process encouraged the cracks and rougher textures.
In 2019 I was invited to Rome to see a huge mural by Giacomo Balla that had just been rediscovered. He had painted it in 1921 for a Futurist nightclub called the ‘Bal Tik Tak’on the Via Milano. The site was being turned into a museum and the mural had been found under the old wallpaper. It covered the walls and ceiling of the entrance and staircase.
A visitor to the club said ‘the walls themselves seem to dance; large architectural lines intertwine in unflinching shades of light and deep blue, which are unrelentingly bright, like a carnival in the sky.’ At the opening, Balla wore a tie made of celluloid plastic illuminated by a light bulb. The jazz orchestra created a sensation when it introduced the saxophone to Roman nightlife.
It was exciting to see the mural while the conservators were still working on it - in that state it seemed very old and new at the same time. It had the texture of a Roman fresco but the colours glowed.
Back in my studio at the British School at Rome, I borrowed the yellow, brown, red, blue, black colour scheme for my own series of paintings. Until recently I had only been painting on glass, but it encouraged me to develop a new technique using wax paper that allowed me to transfer the skin of paint directly onto the wall or panels. The transfer process encouraged the cracks and rougher textures.